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SX 72: 7.2023

I Need A Word, 2022

Preface: The Hard Road from Arusha
David Scott


Deceptive Benevolence: Witnessing Whiteness in
Marie Vieux-Chauvet's Dance on the Volcano
Jocelyn Sutton Franklin


A Caribbean Coast Feeling: On Black Central American
Women's Landscape Portraiture
Melanie White


La Caldosa: Afro-Lesbian Space-Making and Transnational
Politics in Havana
Kerry White


Walter Rodney's How Europe Underdeveloped Africa 
Fifty Years Later

"The Present as History": Walter Rodney and the Search
for usable African Pasts
Adom Getachew


Between Revolution and Repair: How Europe Underdeveloped
in a Caribbean Intellectual Tradition
David Scott


Universalism in Unevenness: Writing History at the Hill
Natasha I. Shivji


History, Method, and Myth: Walter Rodney and the
Geographies of Black Radicalism
Peter James Hudson


Whose Dialectic? Walter Rodney, Marxism, and Africa 

David Austin


Of "Realities and Possibilities"
Michaeline A. Critchlow


Insurgent Knowledges: Reading How Europe Underdeveloped
alongside the Rupture of Guyana
D. Alissa Trotz and Nigel Westmaas


Reading for Time in How Europe Underdeveloped Africa 
Richard Drayton 



Off Cuts 
Heino Schmid


Translating the Caribbean

(W)uman Tong(ue): Writing a Bilingual Newspaper Column
in "Postcolonial" Jamaica 
Carolyn Cooper


Book Discussion: Belinda Edmondson, Creole Noise: Early 
Caribbean Dialect Literature and Performance

Din as Discourse in the Anglophone Caribbean
Supriya M. Nair


Disturbing the Neighbors
Tim Watson


Noising Creole Abroad: Chatting about Voice; Some
Thoughts on Belinda Edmondson's Creole Noise
Barbara Lalla


The Importance of being (In)Authentic
Belinda Edmondson