SX 71: 7.2023
The Beginning is the End and the End is the Beginning
Preface: The Heretical Humanism of Anthony Bogues
David Scott
Aimé Césaire’s Yugoslav Detour
Alexandra Perisic
Recuperating the Value of Nothing in Erna Brodber’s
Short Novel Nothing’s Mat
Dashiell Moore
A Sense of Displacement: Stuart Hall’s Art of Living
David Scott
Maureen Warner-Lewis and the African Presence in the Caribbean
Widening Horizons
Maureen Warner-Lewis
Maureen Warner-Lewis, Friend and Colleague
Velma Pollard
Cultural Criticism and It’s Generations:
The Achievement of Maureen Warner-Lewis
Faith Smith
Echoes in the Bone: Hearing Africa in
Maureen Warner-Lewis’s Caribbean
Rhonda Cobham-Sander
Maureen Warner-Lewis’s Work as African Recognition
Victoria J Collis-Buthelezi
Keywords in Caribbean Studies: Cimarrón, Marron, Maroon
Cimarrón and the Reordering of the Living World
Ileana Rodríguez-Silva
Simarrona: Beyond Etymologies toward a Practice of Unlearning
SJ Zhang
Haitian Mawonaj, the "Picaroons," and Re-centering
the Maritime Dimensions of Maroon History
Johnhenry Gonzalez
Maroon, Fiiman, Busikondeesama: A Play on Identity
in Three Speech Acts
Corinna Campbell and Tolin Alexander
Visualities
The Beginning is the End and the End is the Beginning
Nadia Huggins
Book Discussion: Andil Gosine, Nature’s Wild: Love, Sex,
and Law in the Caribbean
Embracing our Animal Selves: The Liberatory Politics
of Andil Gosine’s Nature’s Wild
Kedon Willis
"We are Animal. So What?"
Rajiv Mohabir
This is How You Become the Animal you are so Bent
on Becoming
Michelle V. Rowley
Animal History; Animal Future?
Andil Gosine