
SX 71: 7.2023
The Beginning is the End and the End is the Beginning
Preface: The Heretical Humanism of Anthony Bogues
David Scott
Aimé Césaire’s Yugoslav Detour
Alexandra Perisic
Recuperating the Value of Nothing in Erna Brodber’s Novella, Nothing’s Mat
Dashiell Moore
A Sense of Displacement: Stuart Hall’s Art of Living
David Scott
Maureen Warner-Lewis and the Poetics of the African Presence in the Caribbean
Widening Horizons
Maureen Warner-Lewis
Maureen Warner-Lewis, Friend and Colleague
Velma Pollard
Cultural Criticism and it’s Generations: The Achievement of Maureen Warner-Lewis
Faith Smith
Echoes in the Bone: Hearing Africa in Maureen Warner-Lewis’s Caribbean
Rhonda Cobham-Sander
Maureen Warner-Lewis’s Work of African Recognition
Victoria Collis-Buthelezi
Keywords in Caribbean Studies: Cimarrón, Marron, Maroon
Cimarrón and the Reordering of the Living World
Ileana Rodríquez-Silva
Maroon: Beyond Etymologies towards a Poetics of Unlearning
SJ Zhang
Haitian Mawonaj: The Picaroons, and Recentering the Maritime Dimensions of Maroon History
Johnhenry Gonzalez
Maroon, Fiiman, Busikondeesama: A Play on Identity in Three Speech Acts
Corinna Campbell
Visualities
The Beginning is the End and the End is the Beginning
Nadia Huggins
Book Discussion: Andil Gosine, Nature’s Wild: Love, Sex, and Law in the Caribbean
Embracing our Animal Selves: The Liberatory Politics of Andil Gosine’s Nature’s Wild
Kedon Willis
We are Animal. So What?
Rajiv Mohabir
This is How You Become the Animal you are so Bent on Becoming
Michelle Rowley
Animal History, Animal Future
Andil Gosine